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2008 rework of the 90s classic by corona!!!

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2009 represents a decade in of making music for independent label five20east. to celebrate, they are bringing all of their artists together for a series of special releases. death on the highway is the first chapter in the story, showcasing their love for that pitched down house sound. death on the highway is a limited 12inch release featuring four original tracks from highly original producers including dj harri & the revenge, cronk family enterprises, andy ash and deep space orchestra.

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>099< is a phat two track ep of silky electronic dance music !! the main cut is a darling hypnotic track that becomes more addictive each time. the bleeps multiply before making room for the master hit. the mood continues to climb and feet shall stick to floors

onnsets first release by jamie curnock begins the project with an introduction into the tougher sounds from the label in the form of grown and transportation. truss manages to take this a step further with his punishing remix. as onnset isnt strictly defined by a heavier sound, there is always room for the more experimental, as shown in the opening track extract and the deeper final track scavenger

the 11th release in the truncate series. 3 tracks, 2 of which were licensed in ben sims fabric mixed cd in 2013. 3 solid dj tools for the clubs.

secluded bounds back onto soma with another double whammy of solid big room techno smashers. the glasgow based producer aka hans bouffmyhre is really hitting home with the new alias and finding solid ground on soma.

unser lieblingsfranzose und mann für die dancefloor-euphoria meldet sich mit zwei floorburnern zurück, die er bereits in seinem boiler room-set in paris im september 2013 einsetzte und dessen ergebnis auf mehreren youtube-videos festgehalten ist. beide tunes werden auch von anderen djs viel support erhalten: in der panorama bar über die strände kroatiens bis zurück nach paris!

faded ranger made their hypnotizing debut earlier this year with a sparkling trio of singles - be on the lookout, get together (right now) and blindfolds. now the duo are ready to unveil their debut lp, mechanical tonight, in its full glory.

limited edition vinyl sampler of the forthcoming full album permanent vacation 3

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

jel ford kicks off his return ep with two tracks of clean big room techno. the title track backyard is a moody affair with a low drone throughout that is complimented with layered synth stabs. using reverb to create atmosphere within the track it subtly breaks down before a vocal hook transcends the track to deliver a killer blow. meeting of minds is dubbier and uses a tripped out synth to add rhythm whilst working alongside a synth pattern to keep the track chugging along. the slow evolving pads add texture and keep the track nicely filled out whilst this timeless classic keeps on giving.

dense & pika return to hotflush with their first original material since last year s smash, colt . meanwhile they issued a chart-topping remix of paul woolford s erotic discourse with a signature bombast that carries over into the present klank ep. six tracks leave plenty of room for variety, however, from the toecap shuffle of the eponymous lead track to bad ink s melodic grand designs, through slacker s binary jack and the pared-down house groove that is slowhand , not to mention the aquatic depths explored by wandering hands , we see dense & pika s muscles at full flex.

nofitstate return with four tracks from hot talent a1 bassline whose reputation has been building of late from a succession of releases for the likes of dirtybird, get physical and gruuv amongst others. here hidden agenda finds the young producer in true devastating form. skippy percussion, a nod to the uks garage scene, vibes the track along nicely whilst the bass does the damage. burnt out piano island delves deeper, acting as a neat counterpoint to the more main room agenda. here the style is much more nuanced with a more hypnotic leaning. outsider picks up the pace against, albeit in a subtle, uplifting vibe with warped pianos and razor sharp percussion. t moe p rounds things off nicely with a moody bassline driven groove.

this is the second episode of d.a.n.c.e. (detector for advanced neutron capture experiments), an overview on the introspective side of dance, composed of six various artists releases. on a side fernandez manetta with a big room, fat, acidic techno track. on b side synthek shows his classy and deep vision of techno, fabrizio lapiana proposes a cut with a prevailing bass-line and metallic percussion.

boston based production duo and room-mates john barera & will martin continue their journey into sculptural, storytelling house music, with their debut album on dolly - >graceless<.

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats and the driving grooves

nice price deal !!! after a first explosive success release spaghetti monster doesnt wanna stop and presents u a ticket to a deep space journey with russian dj & producer spaceanddisco. his original mix opens the ep and take u to a 9 min space adventure with lots of intergalactic percussions and deep bases

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stop…press…an extraordinary radio slave donation for running back! the man like matt edwards took care of a matter near to his and our heart: an ep dedicated to the crafty dj duke, his infamous power music label empire and those massive sounds dat ruled di sound factory nation. one side holds a modern track in an old fashioned style of lovin (quote freely adapted from courtney melody): think rs >tantakatan< straightened out. >thats all the record do? yeah, bitch, thats all the record do.< special thanks go to omar-s for clarifying these matters once and for all. already huge with big room boys Âme, natty dread josh wink and a few others. surprise, surprise! flip for a portrait of a young and restless todd terry circa 92 slipping on his bathroom rug while listening to some x-102. dirt mcgirt! those 3 people out there who still buy audio plastic might be delighted to find out that they get a special bunch of bonus tracks: super heavy efx sirens, street noise and soothing rain sounds. can you dig it?

ronald burrell s second release as equation on nu-groove is as deep as it gets. we re talking late night nyc back room deepness, often imitated but never bettered. -i ll say a prayer 4 u- is the lead track here, a sublime longing synth groove with a nagging bassline and crisp rimshots, a total -under the radar- anthem straight out of new york city circa 1991 and engineered by the equally as legendary bobby konders, a real undercover gem. the other two cuts on the ep drive further into the night, -domm domm, yeah mm hmm- is another dope basement groove, rocking some classic burrell flavours, and -my life- is a real down-tempo piece that reappropriates the roy ayers classic -my life in the sunshine- while giving it a real -100 bpm house- swing, don t snooze... all in all this is another classic release from the nu-groove vaults, re-mastered and re-pressed here for the first time in conjunction with nu-groove records and the burrell brothers. essential.

mit seinem solo-debütalbum *the boxer* brach bloc party-sänger kele okereke vor vier jahren endgültig aus dem rock-korsett seiner stammband aus und katapultierte sich direkt auf die tanzflächen der clubs. mit dem auf lilac records/kobalt label services erscheinendem neuen album *trick* geht kele noch einen schritt weiter. die songs sind geschmeidiger, souliger, einfach deeper. der fokus liegt unter anderem auf keles einzigartiger stimme. kele okereke gelingt es auf dem in london und new york city aufgenommenem album, äußerst persönliches songwriting in einen clubmusik-kontext zu bringen. *trick* verneigt sich vor der geschichte der clubmusik und vermengt old schooligen soul mit modernen, elektronischen r&b. und das alles mit urbritischer nonchalance.

four track split ep from chicago producer dj skull and victor santa. different connections contains a hybrid sound of chicago rooted house and detroit techno.

dense & pikas offshoot label kneaded pains returns with another techno focused 4 tracker from the mysterious moss a1 brings the heat with a spacious warehouse jam, kicking off with a warm pad before unloading with the tracks monstrous bass hook. a2 dives into lo:fi realms with a moody yet effective groove complete with male spoken vocal. b1 keeps things main room albeit in a more clean and serene way with razor sharp kicks and percussion providing a nice counterpoint to the rougher edge of the a side before b2s deliciously deep jam rounds off the ep.

longtime raíz collaborator subversive makes his debut on droid sister label vrv with chainbreaker. subversive has appeared previously on historia y violencia and contruct re-form (under the name deception plan with voiski). this release for vrv is a collection of 3 tracks that reflect his focused, methodical programming. the title track stretches a deep, driving narrative over the course of 7 minutes, perfect for adding hypnotic breathing room to any set. the other side contains intergalactic, a subtle and harmonic passage that sets the stage for a2, telemore. telomere begins with intense, brooding synth design that inevitably builds into heavy rhythm structures, providing the sets most driving dance sounds.

neueheimat is joinig the cirque du minimaliste family on its sublabel manege with his debut release *quartier3*. neueheimat was founded near hamburg in 2012 by dennis grell. after working for many years as a commissioned producer and remixer for publishers and labels, dennis wished to start his own, new project and truly realise his creativity. conceptually, the aim is for the music to blend seamlessly with his photographs of urban architecture and to document the anonymity of life within city walls. influenced by artists such as anders trentemøller, jon hopkins, trent reznor and the earlier einstürzende neubauten, dennis began creating his own definition of electronic music. neueheimat and subsequently *quartier3 ep* are characterised by dennis clear style of production: a few lighter passages, but primarily creating a deep and murky impression. large spaces leave room for interpretation and present the listener with images that either they have never seen or have been missing for a long time. created on old analogue equipment, mixed on a 30-year-old tape recorder and mastered by mastering engineer stefan betke (tresor, cabaret voltaire, lucy, laibach), *quartier3* is a significant milestone in dennis production history.

now nighttripper records is born! the first is from the us native scott scheferman it is a cold stomper with jerky sounds and stomping distorted 909 kick. on a pleasant bpm still playable in any techno set. watch out for this guy! on the remix we have robert armani who delivers a minimal but ruthless effort for the big room and will please the hardcore fans on the b side orlando strikes back as the nighttripper with some funky mayhem!

snow bone follows up his debut remote viewer ep with a rollicking techno black label, properly rolling up his sleeves for some head-down big-room techno and acid on mystic vision.. features a raw, driving remix from manse!

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although known for its more deep and dubbed out vibes mosaic lovers will be aware that there has always been a home for more straight-up techno on the label. we are happy to announce that this september a limited edition series of 12 inches focussing exclusively on main room techno joints will be launched: mosaic red label.
volume 1 of the series sees legendary uk hardgroove techno don, ben sims, return to the mosaic camp after almost 13 years with two tasty slices of quality machine driven funk that are guaranteed to get yer feet and hips moving.
this release will be pressed on limited edition 180g white vinyl in a special collectors edition sleeve

limited edition 7inch red colored vinyl.

this october, the compilation disco sympathy will be released on versatile. it’s author is vidal benjamin, an outstanding dj / digger, considered by his pals as one of the most brilliant in his category. and that says a lot! here he makes us rediscover the sound that was so characteristic of a certain early eighties french scene: wacky, happy, dancing and at times even poetic. one begins to travel through an era during which the french producers were not afraid to tackle disco, american boogie, british and german synth wave, to present us their version: french, poppy and above all... fun!as a prelude, before releasing the compilation, versatile will come with limited 33 rpm and 45 rpm maxis, on which every track has undergone an editing treatment by mysterious french producers: jean-marc misère (last sighted somewhere near london), dj ringardos (who, since his last versatile release in 2008, chose roman exile), alt (already spotted on the edits du golem and on the us label black disco), and of course vidal benjamin himself, accompanied by gilbert cohen - the boss. on the 45 rpm you ll find no-one less than jeff lasson, of the get a room! duo, who came through with flying colors. and as a bonus beat: misère on the b-side.

located beyond neptunes orbit is the dwarf planet haumea, the inspiration behind rodhads second release for token. it follows his spomeniks 12inch from last year which the berliner used to debut on the belgian label, the only other imprint hes released with other than his own dystopian records. over the past three years rodhads reputation has sky-rocketed, not only as an accomplished producer with five releases to his name, but as a big room dj whose formidable presence behind the decks demands as much respect as dvs1 and german big guns dettmann and klock.

this new ep is no exception as this time he draws out immersive pads and understated melody over the top of percussive grit, in parts channeling some of that irresistible autonomous africa flavour. the release has already garnered support djs and radio alike with jamie xx playing out reflex on both his recent boiler room and bbc radio 1 guest mix, while another early unveiling of pitch drift dropped recently on benji bs show.

suzi ecto heißt das debütalbum des wahlberliner djs/produzenten jr seaton (aka call super), der beruehmt beruechtigt fuer seine dj-sets im berghain, boiler room und fabric ist. 11 tracks mit düster-knarzendem techno der berliner berghain-schule. veröffentlicht als cd, heavyweight-doppel-lp und download auf dem fabric-sublabel houndstooth. sublime and utterly timelss. a very special release. schreibt das britische mixmag und vergibt den titel techno lp of the month- mit 10/10 punkten.

londoners kiwi and ashworth return to sneaky for a follow-up to dawn ep, the warm, dusty and at times experimental release, championed by the likes of daniel avery, eric duncan and tiefschwarz. the past few months have been busy for both halves of the duo, with kiwi signing to duke dumont s blase boys club and remixing for house music super-labels bpitch control and get physical, whilst ashworth has signed music to tomoki tamura s holic trax and needwant. second ep takes a new format, with two original tracks alaska and na am on the a-side, backed up by a nicholas & marcoradi remix of cux3 and ranacat s remix of zubr. alaska could be described as an amalgamation of the inspirations that lead to the first sneaky release, combining the pumping house beats of cux3, the comforting wurlitzer of zubr and the ethereal movie-soundtrack dusk. na am is something totally different, existing mainly as a collage of recorded and found sounds, avoiding the usual structure of house music in favour of something reminiscent of the weirder side of the chemical brothers. strange though the track may be, the climax would undoubtedly move a room full of pilled up ravers to a state of frenzy. the b-side remixes both hint to dance floors of the 90s, with nicholas and marcoradi making you wait and wait before dropping an unforgettable piano hook, whilst sneaky s ranacat lifts zubr out of context and into peak time territory.

up and coming portuguese producer lewis fautzi is quickly becoming a name to look out for in techno. championed by the likes of jeff mills and slam, fautzis hypnotic, tracky sound is much in demand. in may 2014 figure label founder len faki opened his boiler room berlin set with a new lewis fautzi production, the beatless intro vibes of >diagonal<, and thus a new ep was born on figure.

marking the start of an exciting new collaborative project, wolf + lamb proudly share the debut release of the waves & us. formed out of a creative meeting of minds between maayan nidam, markus nikolaus and louis mcguire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. maayan has already forged a formidable career in electronic music, both under her own name and as part of mara trax, scoring releases on such celebrated labels as perlon. markus performs his own solo project cunt cunt chanel, while louis is part of ballet school, a band releasing on noted indie label bella union. the whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers the waves & us. maayan s electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. markus guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. louis bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. with their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

after three previous various artists releases, up-and-coming label french kitchen records returns with a full ep by (french kitchen artist) marcelo cura! already playlisted by marco carola himself with his *keep on goin* track on d-foor, the french prolific producer comes up with effective bouncy and fluid techno grooves! fk004 comprises four tracks. two originals: the atmospheric and bass-fuelled main track *n side* and the rolling pacey and direct *dirty side*. along with two strong & deep techno remixes by german artist dorian paic & the romanian dubsons, *n side* ep seems perfectly fitted for either techno aficionados or peak time ibiza hours!

nach ihrem 12 inch debüt auf innervisions, berlins bester adresse in sachen house musik, haben sich daniel bortz und sascha sibler für eine zweite 12 inch für permanent vacation zusammengetan. die a-seite -tomorrow we start a new life again- sorgte bereits im boiler room set von daniel bortz für viel aufmerksamkeit und positives feedback. die b-seite - if not tomorrow maybe someday- ist eine wunderbar verspielte house-nummer, die eigentlich immer ins set passt.

demarzos sound is a meticulously crafted one. his toxic perfectionism and shrewd sense of rhythm lead him naturally to where he is today. his well-revised sets include anything from underground deep house to main room deep tech. after releases on hot creations, noir, glasgow underground or loulou records to name a few, arrives to sincopat with two secret weapons. holster is a cheeky but solid track which brings together groove and melody. analogue synths being added, it also presents changing voices all the way. for the remix, walker & royce take the deep way with a dry kick and sinister notes. pay attention to the astonishing breakdown. trigger is the second original track, in the same language than holster, and using some classic groovebox bullets. ramiro lopez, one of the sincopats golden boys, after his bedrock release, offers two fresh versions with different treatments.

(12inch vinyl with 7inch size label stickers) championed by the likes of seth troxler, guy gerber and tiga, the former footprintz member turned solo star has set his musical sights on the incense-filled multi culti chill-out room

no artificial colours have been busy. the south east london duo lewis wright and ryan ellis have been name checked by everyone from maya jane coles and jamie jones to cyril hahn and paul woolford and legends such as kerri chandler. following their recent smash for pmr *reach for me* (feat. alex mills) no artificial colours are back with a late night ep for kerri chandlers madtech records.
the menace ep sums up everything that is exciting about the no artificial colours sound: raw, soulful, rooted in classic garage and house, big room party vibes with underground cool, it is no surprise to see the pair have been highly lauded by the likes of pitchfork, vice, i-d and fact of late.

this 5th release consists of three tracks made by the twin duo manic brothers, one edited by petter b. they have during their relativity short career proven themselves as worthy keepers of the swedish techno heritage with big releases on drumcode a.o. what they bring to bond on this release is their signature big room sound but with a much more simplified approach than previously heard. on the a-side there are two great tool tracks with lots of space for creative interpretation for a dj. on the flip there are a long and epic track with a massive vocal breakdown. groove based but yet with a big and strong hook.

after blazing trails with his debut longplayer exits and wowing the sceptical chat rooms with his all-hardware boiler room blow out, the north country bit smasher returns. the iiva ep is mini album of experiments, re-animations and rebirths. like dr herbert west with a hypo of fluro-serum loops haunt plunges elbow deep into his hardrives sonic corpses unleashing an army of weaponised soundscapes. unlike its big brother exits, iiva sets an immediate agenda, drums burst through fizzing tape hiss and field recorded found sounds are given urgency and purpose. along with an army of hooded mystery collaborators pans nhk even joins the fray with a radiophonic technoid rerub of iiva. all action.

where are we heading ep is a sequel to the stunning entry by tapirus (rotterdams very own charlton), and offers greater room for the artist to roam, breathe, flex and grow. behind the success of acid love story, which received notable plays by surgeon on rinse.fm and blawan at awakenings, this follow-up effort recalls the signature elements established in the first, while displaying a quest by the artist for refinement and progress.

hamburgs oliver huntemann mit seinem ersten release auf seinem neuen label senso, das er unter dem hamburger superstition-dach betreibt (poker flat, dessous, in my room, mirau, u.a.). sexy-metallischer funk (-blitz-) plus ein 9-minütiges epos aus muskulären beats auf der flipside (-donner-). die party kann starten!

cologne based lone ranger, producer, coffee drinker and occasional bike rider steffen baldo aka ugly drums has been fine tuning the spokes of his career for 10 hard working years. making early marks in the scene with his -next room ep- on german based label polyfon, which received support from moodymann, mcde and cemented his reputation early on. steffen later released dance floor workouts on rush hour, fifty fathoms deep, black key records, quintessential and kolor ltd

the first of a number of various artists eps from the dba camp.

one of the most active and in demand producers on the european techno circuit at the moment, angy kore from italy joins the australian power house elektrax recordings with his first vinyl release sasau ep, including two heavy big room bombs sasau and train zero on the a-side.

scuba continues his phenix series with a second installment entirely devoid of the euphoric hallmarks of the personality era but missing none of the familiar attitude. no trace of vocals, feel-good chords or retro kicks, no real concern for the hour or room, phenix 2 is instead teeming with mood and spirit.

vibe008 open the way to the new techno flavour of the label with nikola gala (rekids) from salonicco, greece. raw sound and dub-techno influences on a1, the dark bassline with this fat kick it s simply killer... breaked by vocal-cut and deep-chord line. attemporal (att series) signed the first remix of the vinyl. the techno duo-project it s one of the new best talent comings out, growing up fast in the scene. with their elegant style the original-mix was been reworked in a conceptual-club version... stay tuned. marcos in dub (highgrade-lokal talk) on b1 pushed out a special remix, just to destroy the main room. love it. on b2 to close the release, kindimmer (lokal talk) that take back us to the detroit-house vibes,with a piano-chord line that floating till the end... feel it.